Losen World Literature 2010-2011

 

This weekend has been a real bear. I started out intending to have you read one work. Then I read it, did not like it, so I read another. Again, I read it, didn't like it, and so selected other works. It reminds me of that part in Monty Python about "Swamp Castle." Let's see if I remember this correctly:

Father: People said I was daft to put up a castle in a swamp. But I did it anyway. It sank into the swamp...

Then I built a second castle. That also sank into the swamp. So I built a third castle, that burnt down, fell over, then sank into the swamp. But this one stayed up! (or something like that).

I'm hoping that you won't have to marry Princess Lokie.... If you do, please know that I tried.

By the way, I wrote an essay on "The Dead." I want to share that with you--along with the process--by the end of hte we

Monday/Tuesday:

As directed, you should have your white textbooks with you (Literature and Composition). First, you will receive the handout of this week’s agenda. Included in the hand-out will be William Butler Yeats’ famous poem, “The Second Coming.”  We will read that in class, along with some information about the background of the poet, his wife George, and his muse, Maud Gonne. You will also learn a little about Lady Augusta Gregory and Robert Gregory. The latter died when his plane was shot down during World War I. We will take a break part-way through the packet to turn to page 302 in your white textbooks. There, we will read Yeats’ “A Prayer for My Daughter.” In small groups, you will answer the questions on pp. 304-305.

Once we have gone over the answers to these questions in class, you will continue reading about Yeats—this time about the context of “A Prayer for My Daughter.”

Following this, you will read Langston Hughes’ poem, “Mother to Son.”  Together, we will attempt to answer the questions on pp. 306-307.

For homework, you are to read (under “Paired Poems”) Eavan Boland’s “The Pomegranate” (323-325) and Rita Dove’s “The Bistro Styx” (326 - 328). Half of the class will answer the questions that accompany “The Pomegranate.” The other half will answer the questions that accompany “The Bistro Styx.”  This homework is to be your work—alone. You are not to work with peers, family members, or anyone else. You are not to use study guides like Cliff’s Notes, Sparknotes, or any other kind of “short-cut.” I want you to attempt to learn how to do this on your own. Your work will be checked for completion.

Make sure that you read the information preceding the poems and that you read the footnotes. They will help you a great deal.

Wednesday/Thursday:

I (or my substitute on Thursday) will check to see that you have completed the homework assignment. We will then go over it in class. 


Then, in small groups, you will answer one of the questions 1-5 under "Focus on Comparison and Contrast" (328-329).  A leader from each group will discuss what his/her group has found.


There will be a timed, in-class writing assignment of 30 minutes. Paper will be provided. You must write in blue or black ink—and double-spaced. Turn in when the timer goes off.

If time remains in class, you may work on your vocabulary homework--Chapter 8.

Homework: Your “movies” have been delayed until Friday. They were to have been completed on Wednesday /Thursday. Because I cannot be in class on Thursday, they will be due (in flash-drive form—make sure that you have two—just in case) on Friday, December 3rd. Even though half of the class will probably be going on the field trip, it needs to get to me on that day.

Also, your next vocabulary unit is due—Chapter Eight.

 

Friday:

I will check out your vocabulary. You will download your movies. We will go over the vocabulary.

Read the hand-out on the "No" play.


 

 
Thanksgiving Week!

Monday/Tuesday

Constitution Day--

Other than that, I am planning on getting the Mac Lab. We will work on movies.

Wednesday:

Work on movies.

Homework over the holidays: Are you kidding? Have a good time and get some rest, unless you have more work to do on editing your videos at home.
 
Monday/Tuesday

Work on scripts and act out scenes.

Wednesday/Thursday

You should begin or finish editing. Polish over the weekend. The final project (including the properly edited script) will be due on the Wednesday/Thursday after Thanksgiving. Remember to keep all the work that you do--including brainstorming, notes on research, etc. That will be turned in

Friday:
Lucky you, you get the day off! Have some fun--that's an order!
 

Agenda for the Week of November 8 – November 12, 2010

 

Monday/Tuesday:

 

1.      We will begin with a reading quiz on the Aristide Tessitore’s essay, “Euripides’ ‘Medea’ and the Problem of Spiritedness.”

2.      Students will be broken into the following three groups for an upcoming assignment:

a.      Pp. 435-441 (ending before Kreon enters). The following characters appear here:  At Two boys (sons of Jason and Medea), Chorus of Corinthian Women, Medea, Nurse, Tutor

b.      Pp. 441 (starting with Kreon and attendants entering)-448 (Jason exits). The following characters appear here: Chorus of Corinthian Women, Jason (and attendants), Kreon (and attendants), and Medea

c.       Pp. 448 (starting with the entrance of Aigeus)-456 (ends with Jason going out with his attendants followed by the Tutor and the children carrying the poisoned gifts). The following characters are needed: Aiteus, Two boys, Chorus, Jason (and attendants), Medea, Tutor

d.      Pp. 456 (beginning with the Chorus on line 952)-end of the play. Characters: Two boys, Chorus, Jason, Kreon & Princess, Medea, Messenger, Tutor, Dragons?

3.      After breaking into groups, you will begin brainstorming. The story is to take place in either the 20th or the 21st Century. Your movie will parody both the play and “Sunset Boulevard.” Consider who will play roles, what costumes you will use, and what props will be needed. You must also include at least one “Monty Pythonism.”  Also, take into account Tessitore’s perspective about Medea as a warrior.

4.      Among the “jobs” assigned to various members of your group will be the following:

a.      Costume designer (consider Edith Head’s use of animal prints and black and white patterns, lace, pointed gloves, etc. You may use some of my supplies—in class or on school grounds only. You may use clothing found in your attic.  Props.

b.      Set designer. This does not necessarily mean that you need anything fancy or expensive; consider using blankets, throw pillows, accessories, and lighting. Location, location, location.

c.       Screenplay Writer(s).

d.      Director.

e.      Cinematographer.

f.        Actors.

g.      Film editor(s).

 

I have yet to make a rubric for this assignment. I want to see how things go for the first day and adjust my plans as necessary.  I welcome your suggestions about evaluation and process too. This is the first time I have done this assignment. It will probably involve more than one test grade—just for the project. Generally, I like to give credit for process (steps leading up to the finished product) as well as the finished product. I am not sure how to assess this, however.

 

You will also be writing a comparison/contrast essay on “Medea” and “Sunset Boulevard”—but that will not happen until after the presentation has been completed. I will determine a deadline by the end of this week, taking into account my observations and your input.

 

Homework: Start gathering your “stuff” for your film.

 

Wednesday/Thursday:

 

Bring in costumes, props, etc.  Get in groups and continue to work on project. I will see if I can get us into a computer lab either this week or next week.

 

Homework: Complete the exercises for Vocabulary G—lesson 7.

 

Friday:

I will check your vocabulary homework. We will go over it and you will receive “clues” about what might be on the next test.

No Title

11/3/2010

 



 
 
Remember: This is about what we do in class (though the homework will be included under "Homework" within the agenda.

You do not need to remember to bring your textbooks this week! Yay for your backs!

Encourage all eligible members of your family and friends to go out and vote on Tuesday!

Monday/Thursday:

Bring in materials for your portfolio. We will put them together and you will turn them in.

Finish "Sunset Boulevard." Discuss briefly. Read the article that I found on JSTOR last year. It is entitled "Euripides' 'Medea and the Problem of Spiritedness," by Aristide Tessitore from The Review of Politics, Vol. 53, No. 4 (Autumn, 1991), pp. 587=601. Stable URL: http://www.jstor.org/stable/1407307. Expect a quiz on the article on Monday/Tuesday.

We will discuss this article too.

I'm going to try to get some crossword puzzles together to help you study for your vocabulary tests.

Wednesday/Friday:

Vocabulary test. More discussion of the Tessitore article. I will also start breaking you up into groups for the parody production of "Medea."

Homework: Begin sketching out your ideas for your film production of "Medea."

Do not worry about bringing your textbooks to class next week either.